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dc.contributor.advisorWitt, Marcos Antônio
dc.contributor.authorLima, Bárbara Tikami de
dc.date.accessioned2019-10-18T17:53:17Z
dc.date.accessioned2022-09-22T19:38:18Z
dc.date.available2019-10-18T17:53:17Z
dc.date.available2022-09-22T19:38:18Z
dc.date.issued2019-07-09
dc.identifier.urihttps://hdl.handle.net/20.500.12032/63243
dc.description.abstractThis dissertation analyzes the relation between Eduardo de Martino (1838-1912), a neapolitan, and also a italian navy’s liutenant, who arrived in South America and resigned the military career to dedicate himself to the artistic race; the Brazilian Navy; and the images produced by this painter-sailor in the late nineteenth century. Therefore besides the historical contextualization of the period, we investigated the trajectory of the artist in what concerns his insertion in the artistic and military spheres; the appropriation of his screens and sketches by the Brazilian Navy and the manner wich his paintings had repercuted in his time’s press and how they were associated with the military institution.en
dc.description.sponsorshipNenhumapt_BR
dc.languagept_BRpt_BR
dc.publisherUniversidade do Vale do Rio dos Sinospt_BR
dc.rightsopenAccesspt_BR
dc.subjectHistória da artept_BR
dc.subjectHistory of arten
dc.titleMar de imagens: A relação estabelecida entre Eduardo de Martino, a Marinha Brasileira e as imagens produzidas pelo artista no final do século XIXpt_BR
dc.typeDissertaçãopt_BR


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