Mostrar el registro sencillo del ítem

dc.contributor.authorBoff, Fernanda Vieira
dc.date.accessioned2021-11-29T14:06:43Z
dc.date.accessioned2022-09-22T19:47:11Z
dc.date.available2021-11-29T14:06:43Z
dc.date.available2022-09-22T19:47:11Z
dc.date.issued2011-01-01
dc.identifier.urihttps://hdl.handle.net/20.500.12032/64972
dc.description.abstractA study on the potentialities of the elements that are veiled in the image of the films In the mood for love (2000) and Fallen Angels (1995) directed by Wong Kar-wai. This matter is analyzed through a focused look through the frame, composition, framework, deframing, and the bright and dark zones in the films. The objective of the analysis is to discuss how the use of these elements can enrich the content of the narrative. These concepts are elucidated with the analysis of the scenes and the use of some frames of the films, aiming to reflect about what is denied and what is potentially revealed to the spectator. The bibliography is based on Jacques Aumont and on concepts of movie and image proposed by different authors such as René Gardies, David Bordwell, Didi-Huberman, Gilles Deleuze e Francisco Javier Gómez Tarín.en
dc.publisherUniversidade do Vale do Rio dos Sinospt_BR
dc.subjectCinemapt_BR
dc.subjectImageen
dc.titleImagens veladas no cinema de Wong Kar-Waipt_BR
dc.typeTCCpt_BR


Ficheros en el ítem

FicherosTamañoFormatoVer
Fernanda Vieira Boff.pdf1.435Mbapplication/pdfVer/

Este ítem aparece en la(s) siguiente(s) colección(ones)

Mostrar el registro sencillo del ítem


© AUSJAL 2022

Asociación de Universidades Confiadas a la Compañía de Jesús en América Latina, AUSJAL
Av. Santa Teresa de Jesús Edif. Cerpe, Piso 2, Oficina AUSJAL Urb.
La Castellana, Chacao (1060) Caracas - Venezuela
Tel/Fax (+58-212)-266-13-41 /(+58-212)-266-85-62

Nuestras redes sociales

facebook Facebook

twitter Twitter

youtube Youtube

Asociaciones Jesuitas en el mundo
Ausjal en el mundo AJCU AUSJAL JESAM JCEP JCS JCAP