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dc.contributor.advisorBittencourt, Maria Clara Aquino
dc.contributor.authorOliveira, Jorge Otávio Pinto Pouey de
dc.date.accessioned2017-12-05T15:33:15Z
dc.date.accessioned2022-09-22T19:27:52Z
dc.date.available2017-12-05T15:33:15Z
dc.date.available2022-09-22T19:27:52Z
dc.date.issued2017-07-06
dc.identifier.urihttps://hdl.handle.net/20.500.12032/61177
dc.description.abstractThe constant use of streaming platforms to access the most diverse content is a reality. Given this framework, we can also see these platforms assuming functions in this digital environment which were previously performed by traditional means of communication. One of these functions we can consider is music curatorship. The objective of this master's thesis is to propose an investigation and immersion in the musical streaming platform, Spotify, and to analyze how it operates to disseminate its musical contents, thus creating through its curatorial strategies a notion of a new cultural journalism. The bibliographies triggered include cultural convergence, cultural journalism, hypermedia radiojournalism and curation, as well as a questionnaire on habits of new patterns of music consumption followed by the respective analysis. Thus, this work seeks to contribute both to demystify the secondary role of cultural journalism in relation to other publications, and to understand the new possibilities of search and use of contents that are within our reach in the digital environment.en
dc.description.sponsorshipNenhumapt_BR
dc.languagept_BRpt_BR
dc.publisherUniversidade do Vale do Rio dos Sinospt_BR
dc.rightsopenAccesspt_BR
dc.subjectSpotifypt_BR
dc.subjectSpotifyen
dc.titleCuradoria musical no Spotifypt_BR
dc.typeDissertaçãopt_BR


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