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To Silence, Problematize, or Condemn? Analysis of Digital News on Sociosanitary Situations in the Interior of Santiago del Estero, Argentina

Silveti, Laurencia; Pereyra, Horacio; Hoyos, Nadia Patricia; Santillán, Selene Danahe

Hate Speeches as a Strategy of the New Right Wing: An Approach to the Limits of Freedom of Expression in the Digital Environment

Cecchini Murúa, Bianca; Martín Varela , Milagros

Presentation. The Television Industry in the Face of the Streaming Phenomenon: Production, Storytelling, and Expansion

Cappello, Giancarlo; Hidalgo-Marí, Tatiana

Gender Violence and Best Journalistic Practices: Frameworks of Meaning in Guides, Manuals, and Decalogues for Covering Gender Violence Cases in Argentina

Angelelli, María Belén; Aráoz, Verónica; Cabezas, María del Carmen

Knowing about the body, knowing through the body: health communication from an ethics of care

Cabral, Ximena Irene; Drazile, Natalia; Mendizábal, Victoria

The Multimedia Machinery: The World of Entertainment in Latin America (1930-1965)

Lema Mosca, Álvaro

Making Uruguayan Cinema Visible: Distribution Challenges in the Face of Streaming Platforms. Interview with Gabriel Massa

Pritsch, Federico

Narrative Stylisation and Modes of Production in Argentinean Serial Fiction: The configuration of the Police Genre in Entre hombres (2021)

Soria, Carolina

Genocide and Documentary Film: Approaches to the Representation of Extermination Spaces

Zylberman, Lior

Analysis of YouTube Video Production on Entertainment Television as Transmedia Mediatizations

Rubin, Paloma

La crítica uruguaya ante el cine nacional (1920-2001), by Mariana Amieva and Germán Silveira (editors)

Perandones Zunino, Magdalena

Strategic Sentiments: The European Commission’s Social Media Response to the Russia-Ukraine Crisis

Tasente, Tanase; Butacu, Maria; Rus, Mihaela

Life on a Train: A Poetic Study of the Finale of This is Us

Cannon, Clare Elizabeth; Latorre Izquierdo, Jorge

Tecnologías vitales. Pensar las culturas digitales desde Latinoamérica, by Edgar Gómez Cruz

Castillo, Ana María

Representations of gender roles and stereotypes in Why Women Kill (Marc Cherry, 2019): transgression and evolution

Ojeda Muñoz, Noelia; Cabezas Morales, Marina Eva

Determinants of health, aesthetics and violence in the narratives of streamers and their audience

Ramírez Leyva, Flor Micaela

Thinking about leaving or returning, in the heights of Havana. Analysis of the films Regreso a Ítaca (2014) and El techo (2016)

Castro Avelleyra, Anabella

Concentration in the Audiovisual Industry in the Southern Cone: A Study of Video Streaming, Pay TV, and Broadcast Markets in Argentina, Brazil, and Chile (2018-2020)

Mastrini, Guillermo; Becerra, Martín; Bizberge, Ana; Carboni, Ornela; Espada, Agustín

Spanish showrunners in the Netflix era: Indicators of tasks for their identification

Fuentes Rueda, Pedro; Del Castillo Aira, Itxaso

Via a Private Link: Film Censorship and Underground Streaming in China

Li, Mo

Repositorio AUSJAL 2022: Recent submissions

To Silence, Problematize, or Condemn? Analysis of Digital News on Sociosanitary Situations in the Interior of Santiago del Estero, Argentina ﻿

Hate Speeches as a Strategy of the New Right Wing: An Approach to the Limits of Freedom of Expression in the Digital Environment ﻿

Presentation. The Television Industry in the Face of the Streaming Phenomenon: Production, Storytelling, and Expansion ﻿

Gender Violence and Best Journalistic Practices: Frameworks of Meaning in Guides, Manuals, and Decalogues for Covering Gender Violence Cases in Argentina ﻿

Knowing about the body, knowing through the body: health communication from an ethics of care ﻿

The Multimedia Machinery: The World of Entertainment in Latin America (1930-1965) ﻿

Making Uruguayan Cinema Visible: Distribution Challenges in the Face of Streaming Platforms. Interview with Gabriel Massa ﻿

Narrative Stylisation and Modes of Production in Argentinean Serial Fiction: The configuration of the Police Genre in Entre hombres (2021) ﻿

Genocide and Documentary Film: Approaches to the Representation of Extermination Spaces ﻿

Analysis of YouTube Video Production on Entertainment Television as Transmedia Mediatizations ﻿

La crítica uruguaya ante el cine nacional (1920-2001), by Mariana Amieva and Germán Silveira (editors) ﻿

Strategic Sentiments: The European Commission’s Social Media Response to the Russia-Ukraine Crisis ﻿

Life on a Train: A Poetic Study of the Finale of This is Us ﻿

Tecnologías vitales. Pensar las culturas digitales desde Latinoamérica, by Edgar Gómez Cruz ﻿

Representations of gender roles and stereotypes in Why Women Kill (Marc Cherry, 2019): transgression and evolution ﻿

Determinants of health, aesthetics and violence in the narratives of streamers and their audience ﻿

Thinking about leaving or returning, in the heights of Havana. Analysis of the films Regreso a Ítaca (2014) and El techo (2016) ﻿

Concentration in the Audiovisual Industry in the Southern Cone: A Study of Video Streaming, Pay TV, and Broadcast Markets in Argentina, Brazil, and Chile (2018-2020) ﻿

Spanish showrunners in the Netflix era: Indicators of tasks for their identification ﻿

Via a Private Link: Film Censorship and Underground Streaming in China ﻿