El análisis como herramienta fundamental para la interpretación de las cuatro piezas para clarinete y piano Op. 5 de Alban Berg
dc.contributor.advisor | Vanegas Ruiz, Patricia | |
dc.contributor.author | Fajardo Duque, Marco Antonio | |
dc.date.accessioned | 2014-04-09T15:28:46Z | |
dc.date.accessioned | 2014-10-09T02:52:36Z | |
dc.date.accessioned | 2016-03-29T13:53:50Z | |
dc.date.accessioned | 2020-04-16T15:21:10Z | |
dc.date.accessioned | 2023-05-10T17:24:41Z | |
dc.date.available | 2014-04-09T15:28:46Z | |
dc.date.available | 2014-10-09T02:52:36Z | |
dc.date.available | 2016-03-29T13:53:50Z | |
dc.date.available | 2020-04-16T15:21:10Z | |
dc.date.available | 2023-05-10T17:24:41Z | |
dc.date.created | 2009 | |
dc.identifier.uri | https://hdl.handle.net/20.500.12032/93794 | |
dc.format | spa | |
dc.format.mimetype | application/pdf | spa |
dc.language.iso | spa | spa |
dc.publisher | Pontificia Universidad Javeriana | spa |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | El análisis como herramienta fundamental para la interpretación de las cuatro piezas para clarinete y piano Op. 5 de Alban Berg | spa |
Files in this item
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tesis129.pdf | 2.274Mb | application/pdf | View/ |