Mostrar registro simples

dc.creatorSantos, Kleiton de Araújo
dc.date.accessioned2021-03-10T12:12:24Z
dc.date.accessioned2023-03-22T17:32:01Z
dc.date.available2023-03-22T17:32:01Z
dc.date.issued2020-03-16
dc.identifier.citationSANTOS, Kleiton de Araújo. Maestro Carlos Gomes e a República : simbologias e interesses políticos na representação do patrono da música brasileira e herói da pátria. 217 f. : il. Dissertação (Mestrado) - Universidade Católica de Pernambuco. Programa de Pós-graduação em História. Mestrado Profissional em História, 2020.por
dc.identifier.urihttps://hdl.handle.net/20.500.12032/76813
dc.description.abstractFull of symbologies and resignifications, the trajectory of the memory of the composer and conductor Antônio Carlos Gomes after his death in 1896 motivates this research work that focuses on unraveling how the image and representation of this artist had been manipulated and used in the beginning of the Republic. only to create a heroic figure and a Brazilian musical representative, but by reluctantly republicanizing him, they use him to antagonistically legitimate new leaders and a newly created republican symbology. In this sense, the work uses the analytical-descriptive method with the sources, work approaching it through the narratives of the periods that follow, using letters from the composer, articles and articles in newspapers of the time, and also, biographical books and lithographs produced for his honor. This work seeks to understand the reinterpretations made by republicans using these materials and the press coordinated by political groups, understanding how these intertwine with the changes that Brazil was forced to undergo, creating homeland heroes, perfect characters, to motivate a nationalist pride in a cut between 1889 and 1930. These changes guide discourses and generate conflicts in the search to create a unifying Brazilian identity for the nation. To analyze it is to discover other faces of what was built and mobilized in these periods using the memory of an artist, but it is also to unveil the strategies that made it possible for a mestizo to become an example of what it was for the imperial and republican governments to “be a Brazilian”.eng
dc.formatapplication/pdf*
dc.languageporpor
dc.publisherUniversidade Católica de Pernambucopor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectDissertaçõespor
dc.subjectMemória coletivapor
dc.subjectMusicologiapor
dc.subjectDissertationseng
dc.subjectCollective memoryeng
dc.subjectMusicologyeng
dc.titleMaestro Carlos Gomes e a República: simbologias e interesses políticos na representação do patrono da música brasileira e herói da pátria.por
dc.typeDissertaçãopor


Arquivos deste item

ArquivosTamanhoFormatoVisualização
Ok_kleiton_araujo_santos.pdf4.498Mbapplication/pdfVisualizar/Abrir

Este item aparece na(s) seguinte(s) coleção(s)

Mostrar registro simples

Acesso Aberto
Exceto quando indicado o contrário, a licença deste item é descrito como Acesso Aberto

© AUSJAL 2022

Asociación de Universidades Confiadas a la Compañía de Jesús en América Latina, AUSJAL
Av. Santa Teresa de Jesús Edif. Cerpe, Piso 2, Oficina AUSJAL Urb.
La Castellana, Chacao (1060) Caracas - Venezuela
Tel/Fax (+58-212)-266-13-41 /(+58-212)-266-85-62

Nuestras redes sociales

facebook Facebook

twitter Twitter

youtube Youtube

Asociaciones Jesuitas en el mundo
Ausjal en el mundo AJCU AUSJAL JESAM JCEP JCS JCAP