O espectador como confidente: fleabag e a quebra da quarta parede
| dc.contributor.advisor | Brasil, Gilberto José Pires de Assis | |
| dc.contributor.author | Bortoluzzi, Isabella Armiliatto | |
| dc.date.accessioned | 2022-05-11T18:03:33Z | |
| dc.date.accessioned | 2022-09-22T19:50:05Z | |
| dc.date.available | 2022-05-11T18:03:33Z | |
| dc.date.available | 2022-09-22T19:50:05Z | |
| dc.date.issued | 2021-07-12 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.12032/65534 | |
| dc.description.abstract | This research seeks to investigate how the breaking of the fourth wall occurs and impacts Fleabag's (created by Phoebe Waller-Bridge) narrative. In order to achieve this, the research uses the writings of Anatol Rosenfeld regarding Brecht's theater; Jacques Aumont concepts of the space that the series occupy and the theory concerning enunciation in cinema written by Jost and Gaudreault. With these theories, the research studies how the main character in Fleabag relates to the public | pt_BR |
| dc.publisher | Universidade do Vale do Rio dos Sinos | pt_BR |
| dc.subject | Fleabag | en |
| dc.subject | Teatro épico | pt_BR |
| dc.title | O espectador como confidente: fleabag e a quebra da quarta parede | pt_BR |
| dc.type | TCC | pt_BR |
Arquivos deste item
| Arquivos | Tamanho | Formato | Visualização |
|---|---|---|---|
| Isabella Armiliatto Bortoluzzi.pdf | 1.309Mb | application/pdf | Visualizar/ |