O espectador como confidente: fleabag e a quebra da quarta parede

dc.contributor.advisor	Brasil, Gilberto José Pires de Assis
dc.contributor.author	Bortoluzzi, Isabella Armiliatto
dc.date.accessioned	2022-05-11T18:03:33Z
dc.date.accessioned	2022-09-22T19:50:05Z
dc.date.available	2022-05-11T18:03:33Z
dc.date.available	2022-09-22T19:50:05Z
dc.date.issued	2021-07-12
dc.identifier.uri	https://hdl.handle.net/20.500.12032/65534
dc.description.abstract	This research seeks to investigate how the breaking of the fourth wall occurs and impacts Fleabag's (created by Phoebe Waller-Bridge) narrative. In order to achieve this, the research uses the writings of Anatol Rosenfeld regarding Brecht's theater; Jacques Aumont concepts of the space that the series occupy and the theory concerning enunciation in cinema written by Jost and Gaudreault. With these theories, the research studies how the main character in Fleabag relates to the public	pt_BR
dc.publisher	Universidade do Vale do Rio dos Sinos	pt_BR
dc.subject	Fleabag	en
dc.subject	Teatro épico	pt_BR
dc.title	O espectador como confidente: fleabag e a quebra da quarta parede	pt_BR
dc.type	TCC	pt_BR

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