Vanguardas em diálogo: Wavelength como experiência minimalista

dc.contributor.advisor	Neto, Milton do Prado Franco
dc.contributor.author	Franco, Frederico
dc.date.accessioned	2022-05-11T13:41:15Z
dc.date.accessioned	2022-09-22T19:49:59Z
dc.date.available	2022-05-11T13:41:15Z
dc.date.available	2022-09-22T19:49:59Z
dc.date.issued	2020-12-15
dc.identifier.uri	https://hdl.handle.net/20.500.12032/65513
dc.description.abstract	“Avant garde in dialogue” proposes itself to understand the movie Wavelength (1967) through its interseccionalities with the minimal art in the United States in the 60s. Studying the theory of the avant garde, the project is divided in three major parts. In the first one, a historical context of the avant garde, minimalism and structural film. The second part, a comparative analysis between the minimal art theory and Snow’s movie, interpreting the formal elements of its mise en scène, beyond the fact to try to understand the movie in question inside the hole artistic carreer of its author, Michael Snow	en
dc.publisher	Universidade do Vale do Rio dos Sinos	pt_BR
dc.subject	Vanguardas	pt_BR
dc.subject	Wavelength	en
dc.title	Vanguardas em diálogo: Wavelength como experiência minimalista	pt_BR
dc.type	TCC	pt_BR

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