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dc.contributor.advisorLadeira, Joao Damasceno Martins
dc.contributor.authorCorona, Fernando Beretta Del
dc.date.accessioned2018-08-02T13:43:00Z
dc.date.accessioned2022-09-22T19:29:26Z
dc.date.available2018-08-02T13:43:00Z
dc.date.available2022-09-22T19:29:26Z
dc.date.issued2018-03-28
dc.identifier.urihttps://hdl.handle.net/20.500.12032/61484
dc.description.abstractThis research tried to understand how the construction of the cinematic frame works within the movies of north-American director Sofia Coppola, through the analysis of five of her films: The virgin suicides (1999), Lost in translation (2003), Marie Antoinette (2006), Somewhere (2010) and The Bling Ring (2013). To this end, the history of modern cinema in Europe and the United States in the 20th century was researched, as well as the history of independent cinema in America, contextualizing the director’s work within the indie movement of the 1990s. Theoretical foundation was based on concepts and ideas developed by authors Gilles Deleuze, Henri Bergson and André Bazin about images. The analysis process was based on the cartography and audiovisual dissection methodologies, by Deleuze, Félix Guattari and Walter Benjamin, working the images in Coppola’s movies, trying to understand how the interact with themselves and the meaning the express through the elements in the frame. Through the analysis it was understood how Coppola utilizes elements such as the feminine body, the character’s gaze, wanderings and secondary framing to reflect on the contemporary society where these images are produced.en
dc.description.sponsorshipNenhumapt_BR
dc.languagept_BRpt_BR
dc.publisherUniversidade do Vale do Rio dos Sinospt_BR
dc.rightsopenAccesspt_BR
dc.subjectCinemapt_BR
dc.subjectSofia Coppolaen
dc.title“Todos os olhos estarão em você”: O quadro cinematográfico na obra de Sofia Coppolapt_BR
dc.typeDissertaçãopt_BR


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