| dc.description.abstract | The research is about the film atmosphere as environment, characters and relations creator among the film elements of In the Mood for Love (2000) by Wong Kar Wai. It proposes and attentive look and feeling at what may start afections and, this way, dissects its plastic and dramatic, concrete and abstract composition articulated in favor of the alteration of the sensibility and of an unique understanding of the narrative. So, while admitting the articulation of the plastic, dramatic, concrete and abstract atmospheres in the characters creation, relations establishment and film environment composition on the proposed terms, I do not intend to decompose and devise the technical elements related to them in the analyses of In the Mood for Love (2000), but notice how they act in each one of the space/time of the film in the concept of invisibility of a film atmosphere. It is from this fusion that, in its whole and not only in parts, the narrative transforms itself in experience. Consequently, as experience, it is also necessary to consider the relation of these elements with the spectator. Therefore, in this research, I take as starting point my own references about this experience. | en |
