| dc.description.abstract | The text has as base historical-social questions and cultural of argentine cinema, the identity questions of genre and sexuality involved in the cinematographic work, and also the communicational factors of these audiovisuality that set it up as a mode of artistic expression throught the seventh art. The study adopts a poststructuralist perspective, by authors such as Michel Foucalt, with his method of analyze the source of these subjectivity production phenomenons that constitute the social through games of truth; Gilles Deleuze, makes an analysis of the sexuality foucaultiano device and desire, showing the way that the lines of power perform the crossing on this object, and also Roland Barthes through the study of critical as a interpretative method about the look. With historical process that configures the cinema device on Argentina already definite, the identification of the ways to perform the audiovisual in the country, the realized recongnition of a new manifestation in the seventh art where it was performed the profile, besides the pre-analysis of the observables elaborated, identifies lines of escape that makes the crossing in this cinema device, identifying a place where these lines articulates in the direction of the expression of new and another subjectivities in the sphere of genre, sexuality and youth. These point of convergence/emergency will correspond to a result whereby it will understand the source of the audiovisual manifestation in the present moment in the country, that is controverted in a game of power that break pre-established borders, in a moment of entry into the post-modernity, considering these stage not as a historical period only, but also as a phase where the great theories, responsible for the ‘’certainties’’ of humanity, is no longer enough to the understanding of the social phenomenons. | en |
