dc.contributor.advisor | Seligman, Flávia | |
dc.contributor.author | Silva, Caroline da | pt_BR |
dc.date.accessioned | 2015-03-05T18:25:04Z | |
dc.date.accessioned | 2022-09-22T19:07:18Z | |
dc.date.available | 2015-03-05T18:25:04Z | |
dc.date.available | 2022-09-22T19:07:18Z | |
dc.date.issued | 2009-03-18 | |
dc.identifier.uri | https://hdl.handle.net/20.500.12032/57173 | |
dc.description.abstract | This work discusses the documentary audiovisual production through Peões e Entreatos, films of 2004 about Luiz Inácio da Silva’s election. The directors, Eduardo Coutinho e João Moreira Salles, respectivily, treat of the Lula character in two different moments: escaping from the wild past, workman, trade unionist, strike leader and the serious politician in front of presidence. Brings up documentray, representation and imaginary theory. The metodology is Vanoye e Goliot-Lété’s social historic film analysis and David Bordwell’s semantic fields for sintomatic interpretation to research who is the main character of each documentary. | en |
dc.description.sponsorship | Coordenação de Aperfeiçoamento de Pessoal de Nível Superior | pt_BR |
dc.language | pt_BR | pt_BR |
dc.publisher | Universidade do Vale do Rio do Sinos | pt_BR |
dc.rights | openAccess | pt_BR |
dc.subject | imaginário | pt_BR |
dc.subject | imaginary | en |
dc.title | Nos entreatos, tal como peões: do Lula operário ao Lula presidente | pt_BR |
dc.type | Dissertação | pt_BR |