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dc.contributor.advisorSeligman, Flávia
dc.contributor.authorSilva, Caroline dapt_BR
dc.date.accessioned2015-03-05T18:25:04Z
dc.date.accessioned2022-09-22T19:07:18Z
dc.date.available2015-03-05T18:25:04Z
dc.date.available2022-09-22T19:07:18Z
dc.date.issued2009-03-18
dc.identifier.urihttps://hdl.handle.net/20.500.12032/57173
dc.description.abstractThis work discusses the documentary audiovisual production through Peões e Entreatos, films of 2004 about Luiz Inácio da Silva’s election. The directors, Eduardo Coutinho e João Moreira Salles, respectivily, treat of the Lula character in two different moments: escaping from the wild past, workman, trade unionist, strike leader and the serious politician in front of presidence. Brings up documentray, representation and imaginary theory. The metodology is Vanoye e Goliot-Lété’s social historic film analysis and David Bordwell’s semantic fields for sintomatic interpretation to research who is the main character of each documentary.en
dc.description.sponsorshipCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorpt_BR
dc.languagept_BRpt_BR
dc.publisherUniversidade do Vale do Rio do Sinospt_BR
dc.rightsopenAccesspt_BR
dc.subjectimagináriopt_BR
dc.subjectimaginaryen
dc.titleNos entreatos, tal como peões: do Lula operário ao Lula presidentept_BR
dc.typeDissertaçãopt_BR


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