Filme e memória: devires das imagens de arquivo

dc.contributor.advisor	Kilpp, Suzana
dc.contributor.author	Kerr, Michael Abrantes	pt_BR
dc.date.accessioned	2015-03-05T18:24:06Z
dc.date.accessioned	2022-09-22T19:07:11Z
dc.date.available	2015-03-05T18:24:06Z
dc.date.available	2022-09-22T19:07:11Z
dc.date.issued	2008-02-27
dc.identifier.uri	https://hdl.handle.net/20.500.12032/57148
dc.description.abstract	This research seeks to reflect the thought developed by the images departed from the film Nós que aqui estamos por vós esperamos concerning Film, Archive and Memory. Marcelo Masagão’s film represents a new kind of audiovisual that arises and is made possible through the new technological supports of images. The approach I make on archive images brings them closer to the audiovisual duration. The thought developed here starts from inside a film through the becomings that are present in the archive images edited in the flow in order to breed different meanings in its editing	en
dc.description.sponsorship	Coordenação de Aperfeiçoamento de Pessoal de Nível Superior	pt_BR
dc.language	pt_BR	pt_BR
dc.publisher	Universidade do Vale do Rio do Sinos	pt_BR
dc.rights	openAccess	pt_BR
dc.subject	cinema	pt_BR
dc.subject	cine	en
dc.title	Filme e memória: devires das imagens de arquivo	pt_BR
dc.type	Dissertação	pt_BR

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