dc.contributor.advisor | Teixeira, Terezinha Marlene Lopes | |
dc.contributor.author | Grespan, Viviane Maria da Silva | pt_BR |
dc.date.accessioned | 2015-03-05T18:12:39Z | |
dc.date.accessioned | 2022-09-22T19:07:03Z | |
dc.date.available | 2015-03-05T18:12:39Z | |
dc.date.available | 2022-09-22T19:07:03Z | |
dc.date.issued | 2010-04-22 | |
dc.identifier.uri | https://hdl.handle.net/20.500.12032/57118 | |
dc.description.abstract | This master’s dissertation studies the process of writing production on a literary workshop. Émile Benveniste’s and Jacqueline Authier-Revuz’s enunciation theories are the basis for our study. From Benveniste, we borrow the reflection about the double meaning of language in order to derive a way to understand the artistic use of language. From Authier-Revuz, we take the theory of constitutive heterogeneity / non-coincidence of speech, to fundament the understanding of the act of enunciation as the stage for a constant and mandatory negotiation between subject-author and the other(s)/Other that cross him/her in the act of production of literary writing. Our object of study is comprised of eight drafts and a final version of a short story elaborated from an exercise suggested at a Workshop of Literary Creation. With the aid of classifications formulated by genetic criticism – suppression, insertion and substitution -, added of categories proposed by Endruweit (2006), we observed the changes that took place from | en |
dc.description.sponsorship | Nenhuma | pt_BR |
dc.language | pt_BR | pt_BR |
dc.publisher | Universidade do Vale do Rio do Sinos | pt_BR |
dc.rights | openAccess | pt_BR |
dc.subject | heterogeneidade constitutiva | pt_BR |
dc.subject | constitutive heterogeneity | en |
dc.title | A (re)escrita no processo de criação: um estudo enunciativo de rascunhos em oficina literária | pt_BR |
dc.type | Dissertação | pt_BR |