Cinema e propaganda política: os casos do varguismo e do peronismo

Abstract

Along the twentieth century the cinema was used by different political regimes as propaganda instrument. In Latin America, the varguismo (1937-1945) and the peronismo (1946-1955) tried to appropriate of your respective national cinematographies with the intention of to diffuse and to legitimate your political projects. For this, the two regimes interfered in your internal cinematographical markets making possible that the Brazilian and Argentinean States controlled the production of films in your countries. The control exercised by the varguismo and by the peronismo on your cinematographies, produced a series of apologetic movies to the regimes that were characterized as political movies. The present study tries to understand how happened the apprehesion process and use of the movies for the two Latin America regimes cited above