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Universidad Católica del Uruguay: Recent submissions

Approaching Semiospheres Through lists of Songs: The Semiotics of Musical Playlists ﻿

Taking Control of the Flow: Live Cinema in the Digital Mutation ﻿

#EcuadorBajoAtaque: Information Disorder and the Spread of Negative Emotions on X During the 2024 Security Crisis ﻿

Modernization and Innovation: What are Public Administrations Talking About? Exploring Bureaucracies and Officials in the City of Córdoba, Argentina (2015-2023) ﻿

“Another Machine Beats Man”: Treatment of Artificial Intelligence in Argentine Digital Press ﻿

Narrative Coherence and Disinformation: The Case of Anti-vaccine Groups in Latin America ﻿

Ericsson’s Robot as a Representation of Technology, Superiority, and Luxury in 1932 Mexico ﻿

Violence and Sexual Desire in Luis Buñuel: Case Study of Él (This Strange Passion, 1953) and Ese Oscuro Objeto del Deseo (1977) ﻿

What's New in Culture? Insights from Argentina's National Survey on Cultural Consumption ﻿

Public Legitimacy in the Cambiemos Government: Proximity as Mandatory Presentation and Statistical Objectivity as Political Differentiation ﻿

Problematizing Digital Parenting: Control Practices, Sharenting, and Privacy ﻿

To Silence, Problematize, or Condemn? Analysis of Digital News on Sociosanitary Situations in the Interior of Santiago del Estero, Argentina ﻿

Hate Speeches as a Strategy of the New Right Wing: An Approach to the Limits of Freedom of Expression in the Digital Environment ﻿

Presentation. The Television Industry in the Face of the Streaming Phenomenon: Production, Storytelling, and Expansion ﻿

Gender Violence and Best Journalistic Practices: Frameworks of Meaning in Guides, Manuals, and Decalogues for Covering Gender Violence Cases in Argentina ﻿

Knowing about the body, knowing through the body: health communication from an ethics of care ﻿

The Multimedia Machinery: The World of Entertainment in Latin America (1930-1965) ﻿

Making Uruguayan Cinema Visible: Distribution Challenges in the Face of Streaming Platforms. Interview with Gabriel Massa ﻿

Narrative Stylisation and Modes of Production in Argentinean Serial Fiction: The configuration of the Police Genre in Entre hombres (2021) ﻿

Genocide and Documentary Film: Approaches to the Representation of Extermination Spaces ﻿