| dc.description.abstract | This research approaches the contemporary audiovisual archiving from the filmic images archived in online search engine collections. On the basis of a communicational perspective at the phenomenon of the internet and the presence of media on the web, the proposal of this thesis is to understand, from the cartography and the anarchivist procedure, as the filmic images of "NO PAIZ DAS AMAZONAS" by Silvino Santos (1922) are updated in the archives of online search engine, specifically Google. The concepts of memory (such as image) and archiving are constructed from Derrida (2001), Foucault (2008) and Bergson (1999), among other authors. In this perspective, the image of the filmic audiovisual memory can be recognized in the archival files originated in cinema, video, TV and internet. From the encounter of these filmic materials in the graphical interface of online search engines, the image of archiving in the contemporary is observed. The research problem about the updating of filmic images by audiovisual archiving is placed in function of time. The audiovisual is thought in its audiovisualities of a virtual updating itself in the duration. In the cartographies thought as montages, pauses on the moving images are done, when they are given to see the updates in the uses, appropriations and ways of collecting and archiving the images through search engines, users and media on the web. The anarchivation procedure considers the organization found in all archiving form and consists of deconstruction movements from the truth-power order (FOUCAULT, 1980) on the archiving of the search engine for the filmic images. The search engine and multiple archiving target to the technoculture of search as a cultural form of databases. The filmic image of the silent cinema database filmmaker is the archiving of the online search engine database. Archiving, as an update of the filmic images, is recognized in the duration and in the multiplicity of other archives, from other times and from other media. | en |
