dc.contributor.advisor | Zuleta Jaramillo, Alejandro Luis | |
dc.contributor.author | Pfizenmaier Sepúlveda, Roberto Wolfgang | |
dc.date.accessioned | 2014-04-09T15:28:46Z | |
dc.date.accessioned | 2014-10-09T02:52:36Z | |
dc.date.accessioned | 2016-03-29T13:53:50Z | |
dc.date.accessioned | 2020-04-16T15:21:12Z | |
dc.date.accessioned | 2023-05-11T17:16:06Z | |
dc.date.available | 2014-04-09T15:28:46Z | |
dc.date.available | 2014-10-09T02:52:36Z | |
dc.date.available | 2016-03-29T13:53:50Z | |
dc.date.available | 2020-04-16T15:21:12Z | |
dc.date.available | 2023-05-11T17:16:06Z | |
dc.date.created | 2009 | |
dc.identifier.uri | https://hdl.handle.net/20.500.12032/106082 | |
dc.format | PDF | spa |
dc.format.mimetype | application/pdf | spa |
dc.language.iso | spa | spa |
dc.publisher | Pontificia Universidad Javeriana | spa |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Música contemporánea | spa |
dc.subject | Música coral | spa |
dc.subject | Teoría musical | spa |
dc.title | Mi Patria es el mundo, Bin Nam Ma, Magnificat, Funeral Ikos, tocata para coro, Evening Song y El Santiguao : análisis Musical y de simbología de obras contemporáneas de los compositores Alberto Grau, John Tavener, Arvo Part, Jesús Pinzón, Zoltan Kodaly y Federico Ruiz | spa |