A construção do radiovisual no YouTube

Abstract

This dissertation, through a mapping process, aims to understand forms of appropriation of various radio stations that broadcast their programs live by the YouTube video platform, from the transmission feature live recently made available by the platform. This usage reiterated suggests that the live broadcast raises an emerging genre used by station radios that we are calling here radiovisual. From Benjamin's figure of the flâneur, following the programming (software) platform, was charted with several experiences that give to see the characteristics of those uses as the reinvention of live time, the enunciation of cameras and voyeurs looks and establishment of a regime of visibility that gives other senses ace techniques radio studio pictures. The radiovisual shown as part of a culture of audiovisual process that is platform itself in question and that includes the user, the video and the interface as elements of an audiovisual that takes the classic montages of film and TV and overlaps the own mounts web environment.