| dc.description.abstract | This study aims to formulate the concept of during glyphs over the audiovisual surface and evaluate the impact of the intervention of static elements printed on the moving image, learning with the Henri Bergson ́s concept of duration and Vilém Flusser's concept of line and surface. Taking advantage of advances made by the study of audiovisualities, the research investigates the duration brokered by the glyphs over different audiovisual experiments. The research has choosen the movement as a place of research, taking as methodological principles intuition, cartography, deconstruction and the frames method, resulting in a scanning procedure, which merges flanêurie and
dissection. In the process of methodological approach and invention of the subject, carried out an exploratory study that flyes through audiovisual experiences (The Allegory
of the Cave, Fenaquitoscope, Tavoletta di Bruneleschi) and movies (Anèmic Cinèma, Dans le Noir du Temps, The Pillow Book, Pierrot Le Fou, Pulp Fiction, The Life and De
ath of 9413). The methodological approach proposes a procedure inspired by the spiral motion experienced by the viewer when placed in contact with the glyphs, which takes
into account the movement between affections and perceptions, between objectivity and
subjectivity and between actual and virtual. Finally, proceed with a case study, applyi
ng the methodology of the spiral motion to the Dogville movie. With it, this research aims to contribute to the study of audiovisualidades, proposing an alternative methodology that attempts to handle the complexity of the objects studied by this field. | en |
