O estado sizígio de televisão: por uma metodologia de pesquisa do som no audiovisual

Abstract

The present dissertation has as the aim of studying the design of the television sonorities and the creation of ambiences for programs. To reach this aim it was necessary to compare the theoretical and methodological postulates, through an empirical research, where I experiment my own methodological procedure, which was constructed based on the theoretical framework of authors like Bergson, Deleuze and Kilpp. The foremost intention of this work is to update the sound design in television and methodologically redirect the research of audiovisualities. In order to do that I take as a basis the processing of infographies that convey the participation of audio in the audiovisual rhythm. Oriented by this defined focus, the dissertation reflects about television sonority, considering it as disarticulated intensities of superimposed multiple durations in which the establishment of the rhythmicity that constitutes and co-exists in the pop syzygie state of television occurs